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I hope that they, young and old, will recognise themselves or kids they know in it. In the film I say that in little things faces, a field, a rock pool, a 12 minute shot of kids we can see a lot.
I hope that in this little film, we can see a lot about childhood and about the movies. He started making films in his late teens and after graduating High School he went on to educate himself away from TV screens and Hi8 Cameras.
He began at The New York Film Academy producing and directing short films and working as a technical advisor. Those educational years resulted in a number of projects which recently or not so recently have been recognised internationally.
Further he was selected to the talent pool Trailblazer in by the Edinburgh Int. Film Festival recognising new emerging talent and won the Channel 4, 4Talent award for Best Directing in In Timo started working with Mark Cousins and has been editing his films ever since.
Sometime in early , I bumped into Mark Cousins on the street in Edinburgh, and asked what he was up to. He said that he and Tilda Swinton had dreamed up a new idea for a film festival that summer, which involved pulling the Screen Machine, a ton mobile cinema, by hand across the Scottish Highlands, showing great movies in small villages along the way.
They called this wild idea The Pilgrimage. Mark had consulted the British Tug-of-War Association about how many people it would take to pull a truck of that size, and showed me some figures scribbled on the back of an envelope.
Mark was a maths whizz long before he was a world-renowned cinephile, but he was a bit troubled about his calculations.
It might be a disaster. I decided then and there that my family — myself, wife Mary Bell and our two sons, then 8 and 12, both film mad — had to become Pilgrims.
Mark may have been uncertain about whether he and Tilda could pull off this lunatic scheme, but I had no doubt whatsoever that it would be an once-in-a-lifetime experience for anyone who took the plunge and trusted in their vision.
And so it proved. We met amazing people who came from all over the world. We watched great films. We swam in lochs.
We got eaten by midges. About 50 people pulled the Screen Machine with ease though not me, because I had a bad back. For all his modesty, Mark has a clarity of conviction which makes remarkable things happen, and which delivers enormous rewards for anyone who tags along for the ride.
So being giving the chance to help him make his next film was an extraordinary gift. There are some horses or is it a dog, or a cat?
The local "Cine-Disco" involved about an hour of music where us kids were allowed up on the main stage to dance about to the music, chat with our mates, eat lots of sweets and learn what it was all about to speak to girls!
Then once the hour of music was over we all returned to the cinema seats and were treated to some cartoons, an old black and white mystery serial that would run on each week and then a main feature.
As I got older and into my teens, I was given my first video recorder an old Betamax and I would record virtually any film that was broadcast on TV.
This enabled me to watch the likes of films by Hawks, Hitchcock, Lang, Ford and discover foreign cinema at quite an early age. I was hooked and wanted to learn more, so started reading many books on film too.
Outside of my day job, my work in film has begin to develop over the past 10 years or so, to a point now where I am keen for this to be my main vocation.
I have my own archive of films and documentaries on cinema as well as having access to many private film collections around the world and some film archives too.
I help many film writers, critics, directors and film lecturers by tracking down titles they are looking for, for research and study purposes.
Whilst at the festival we hung out a few times together, got talking about films generally and gradually got to know a bit more about each another.
I expressed that I was not very happy in my current job and Mark very kindly offered to help to see if he could find me something linked more with my strengths and knowledge of film.
Towards the end of November I received an email from Mark asking if I would be interested in being a researcher on a new film he was about to start making.
About a week later Mark and I met in Cambridge and spent a few hours discussing the film in more detail and what my role would entail. The next challenge, once I had seen a rough cut of the film towards the end of February, was to then start acquiring the best possible source materials of each of the 53 films that are used in the film.
Mark had a few of the titles in his personal collection and the rest I was able to obtain via other means. By the end there were only a couple of titles that proved difficult to obtain.
So it was with A Story of Children and Film. I realised early on in my thinking that, unlike my other films, it would not be about a journey, a road movie, it would be a series of themes.
So I scribbled each childhood theme — shy, secretive, performative, destructive, watching, leaving, adventurer, dreaming, grumpy, scared, loss, limited horizon, daring, class, adult, dog with a bone, alone — on the page, and drew a rough box around each.
Then, each time I watched a film, if it had a good scene about one of those themes, I wrote it down in the relevant box. I noted down the order in which I saw the themes — shyness came first, for example, and destructiveness came last.
This, by and large, became the order in which we edited the scenes in the film. When it came to the edit, we chose what I thought were the best examples.
The former allows me to jump between themes, notice connections, etc. The screening was presented by Cannes artistic director Thierry Fremaux.
Without condescension or cynicism, Cousins offers us his own humanist idealism, as refreshing as a glass of iced water.
Throughout, the film is rich in [its cinematic] finds, works seldom seen or discussed but, in many cases, just as impressive as the famous examples he samples.
The movie is as self-indulgent as it is brilliant. Vivian Van Dijk writes: Film director Mark Cousins has made with this film a blueprint for many film generations to come.
This is a must-see for anybody who is attending this Cannes Film Festival. Whether you are a film student or a successful film director already or just a film lover, Mark Cousins knows how to point you to the key ingredients that make children shine in film and also make their roles and behavior in film transparent.
Read the review here. Here, he shares with Film4. Another typically thoughtful trawl through the history of film seems likely. Full interview is now online here.
Ross Miller, Thoughts on Film: For any cinephile it would be tough to watch this film and not feel a sense of joy…an intimate lyrical essay on the unique way cinema can showcase childhood.
Chris Buckle, The Skinny: Michael Clancy, The Artifice: It makes for an excellent companion piece to his early opus, The Story of Film: An Odyssey, making Cousins one of the most astute and thoughtful filmmakers working today.
Teddy Jamieson, Herald Scotland: Dial M For Movies: The Toronto International Film Festival has announced the line up of its edition.
More information on their website. Without pedantry, he speaks like a professor in love with his discipline, who wants the viewer to share his enthusiasm.
What a way to start a Telluride! A review from the Adelaide screening can be read here. The deal was brokered by Oli Harbottle, head of Distribution for Dogwoof, with Adam Dawtrey who has produced the film.
Read the story here. Here you can access some of them:. French roulette is like European roulette in many ways: There are two differences.
Firstly , and unsurprisingly considering the name, the words on the table are all in French. In actual terms, the games are very similar and if you can overcome the language barrier and are proficient at European roulette you should be quite comfortable playing this variant of the game.
There are 38 pockets on an American roulette wheel and 37 on a European roulette wheel. Half the pockets are red, the other half black, while the zero and double zero are green.
The colours alternate between black and red around the wheel, only interrupted by the green zero and double zero. On first glance the numbers appear random.
However, numbers directly opposite each other are always consecutive, meaning odd red numbers are usually opposite consecutive black numbers.
You can additionally select a line or intersection of lines to spread the bet wider see the graphic below. In this instance, the total win will be reduced but the chances of winning increased Read more about bet options, win rates and payouts in the Roulette Betting Types section below and also the Roulette Glossary at the bottom of this page.
When all bets are placed the wheel is spun one way with the ball sent in the opposite direction. Online roulette games allow the player to click a spin button to initiate the game.
You and other players can move your chips to change bets even after the ball has entered the wheel in every roulette game.
At this point, no bets can be changed nor new bets placed. Once the ball stops in a numbered pocket the croupier or RNG software will place a marker on the game grid indicating the winning number.
The croupier or software collects all losing bet chips from the table and pays out all winning bets. In online roulette this happens automatically.
Too much to remember? On European single zero roulette tables the house edge is 2. You can see the odds of winning different types of bets in American and European roulette in the table below.
Inside bets are any bets placed on the numbered segment of the game grid, including bets on lines and intersections. Outside bets are those placed in the boxes outside the numbered game grid, including red or black and odd or even boxes.
You can see inside and outside bet segments in the table graphic below. An inside bet is any bet placed in the numbered game grid on the roulette table, including: Here are some of the most frequently employed tactics and strategies to legally win when playing online roulette.
Our role here at Roulette Geeks is rather to provide you with some new ways to go about your roulette routine. We cannot guarantee that any of these tips will make you win at roulette.
If this happens you are able to align your bets accordingly to cover that segment on the game grid. This enhanced knowledge will allow you to beat the house and come out in a positive winning position.
Although this is impossible on an RNG or mobile casino an online player may try to calculate a signature whilst playing live dealer roulette see the Live Dealer Roulette section for more information.
Even if it did work, you could end up losing a lot more than your chips…. Chaos Theory is one of the most intriguing and complex of all scientific theorem.
In the context of a highly complex roulette wheel environment, all you need is an edge over the house to win. No matter how small, an edge played consistently over time will generate profit.
A player looking to achieve an edge in the chaotic spinning of wheel and ball can consider the entry point of the ball, the speed the wheel is spinning at and any bias the table has shown towards certain pockets on previous spins.
Put this data together and you would theoretically be able to enhance your edge. The perceived chance of beating the house can be ratified through what is known as standard deviation SD.
The line of thought behind this theory is that over a large enough number of spins the outcome will follow the same normal distribution curve.
After enough spins n , the theoretical distribution of the different outcomes will converge to the normal distribution.
This gives you a good opportunity to forecast the possible win or loss. This means, according to the theory, that you should start betting on black as the normal distribution of roulette spins is predicted to be There is a tautology that exists in online roulette — if no one ever won, then the liquidity of every site would dry up and operators would go bust.
As such, somebody has to win! The players that win more than they lose in roulette usually follow the following 3 rules of perfect roulette strategy.
You might be playing for practice or simply to get to understand the longer-term parabolic curves of roulette better, in which case stick to outside bets and bet small.
Many experienced roulette players with a good knowledge of the statistical geography of the game only choose to play inside bets for the additional win opportunities and higher volatility they offer.
Casual players who are learning the game should stick to the more balanced i. So bet within your means, which will allow you to roll with the inevitable punches that a poor run will give you.
Then, when the tide turns, maintain a solid betting profile. Roulette success is a hare and tortoise race and yes, the hare tends to die before the finish line.
If you want to try out one of the strategies go to Winner Casino. If you want to know more about Roulette tricks and tips from experts, read more here.
Online roulette software is dominated by 10 — 20 major players, with Tel Aviv based Playtech leading the pack. Most roulette games you find online will have been developed by one of these firms, and as licensed and regulated entities in White List jurisdictions your money will be safe.
You can read more about the leading platform providers and operators here. To operate a legal, regulated online roulette business in the UK or other regulated European markets an operator must sign up to be regulated by a licensing jurisdiction.
There are so many online casinos out there that offer different types of roulette games. Unfortunately, a lot of these casinos are very poor or outright scams.
We have created lists of different online roulette casinos that are good, safe and fun to use. Contribution to wagering requirements varies by game.
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Here are a few tables and some data to help you get an overview of the potential winning roulette strategies available to you. Here too, we must emphasise that these are just different ways to play roulette — we cannot guarantee wins with these roulette strategies.
The Martingale strategy also known as the Mayer technique originated from necessity — how could a gambler, bettor or tradesman guarantee their investment would end up winning no matter what happened to the market?
Simple — you double your lost bets until you hit a win, meaning you will always recoup your lost bets. If you employ the Martingale strategy you should have a one hundred percent winning probability.
However, anyone who applies this strategy successfully must have an infinite bankroll. Watch this video to get the martingale stratgey explained:.
Due to the mathematical success variant, the Martingale strategy forced casinos to employ maximum limits to stop this system ever being put into practice.
Read an in depth appraisal on the Martingale system. This is a positive version of the Martingale system also known as the reverse Mayer technique where you double your bets after each win and stop betting after each loss.
If you would like to learn this positive version of the Martingale system, we recommend that you watch this video and learn about the Reverse Martingale strategy:.
If you want to know even more about the strategy. This book will give you a very thorough insight on how the Reverse Martingale system works.
In theory, you would win about the same amount of stake money as you lose. If that happens you should come out in profit at the end of the game.
Read this scientific paper. Similar to the Martingale system, you bet a stake and double your bet in each game you win, whilst halving your bet of you lose.
Very simple, quite fallible — but on a good run very profitable. The Fibonacci roulette system is a very simple way to apply one of the most stunning mathematical formulas.
Looking at the Nautilus shaped diagram , you can see a natural symmetry in practice. In roulette system terms, it works like this: If the bet wins, you move two places back clockwise.
In this case, you would have now successfully completed the sequence. How much of your bankroll you bet each time will be the sum of the two numbers to the left in the sequence:.
To learn the strategy you should check out this video and you will learn much more about the Fibonacci Roulette Strategy.
Just watch this video about the Reverse Fibonacci Strategy:. However, the Labouchere system requires you to jot down sequences of numbers to utilize it.
These segments could be: You then take the first and last number in that sequence, add them together, and bet the total amount. Should you win the bet, you then cancel the first and last numbers on your list, leaving you with: Then repeat the scenario on the next spin, again adding the first and last numbers.
Should that win, you have a 6 left on your list, staking this on an outside You can read more about the La Bouchere system in this very detailed book.
Or watch simply this video which explains you the system. As with other famous systems, this is not a case of aiming for wins, as in the original Labouchere system, but mitigating losses.
If we use the same numbers as above from your note pad, that is 3 4 6 4 3,. If it loses, you subtract the first and last numbers meaning: You can read more about the Reverse La Bouchere system here.
This string wins so we start a new string from scratch. As with other simple systems mentioned above the Paroli System relies on you placing outside even money bets on roulette.
If the first bet loses, then maintain the same stake for the next game. In effect, when you lose go back to your original bet amount and when you win you should double your bet.
The Paroli System is based on likelihood — and the fact that lucky runs tend to be shorter rather than longer. This system bails you out of a winning run before you lose your earnings.
You can read a more detailed review and guide on how the play the Paroli system here. This is, as the name suggests, a simple way to try and guarantee a win on every spin.
You simply cover most but not all of the game grid numbers on the roulette table. There are a couple of obvious flaws in this strategy: Simply put, this is not a tactical, useful, sensible, intelligent, astute or winning strategy for playing roulette online.
Leave it to the Vegas holidaymakers with too few chips and too many Mojitos. Flat betting is simply betting a set amount on every spin.
You may have employed some elements of strategies or systems outlined above, or you may simply have lucky inside bet numbers in mind. Either way, whilst flat betting, as long as you follow th e 3 Rules of Perfect Roulette Strategy for bankroll management and bet selection, you should be able to avoid the hard times whilst making hay in the sunshine.
So what is the best roulette strategy, you are wondering? There is no right or wrong answer to this question. There are no strategies that can guarantee you win authors selling such strategies are lying , but different strategies come with various risk levels.
Strategies like the reverse martingale are high risk strategies, entailing that you can win big on this strategy. There is, however, also a large risk of losing your bankroll.
Contrary, the Fibonacci roulette strategy is low risk. But if you can live with smaller wins, this might be right for you. We encourage you to spend some time with our roulette strategy simulator to better understand how risky different strategies are.
This is the only true way for you to find the best online roulette strategy. Some players believe they can utilize technology to enhance their edge, the most common of which are Roulette Bots.
They apply your bankroll, betting limits and the game permutations to recommend your next bet strategy. Bots attempt to use roulette algorithms to predict the outcomes of spins see below segment for more information on algorithms.
The Bot software operates like this: Method 1 — Sleepers: Waits a number of times determined by the player for a category to miss, then bets on that category.
Method 2 — Reverse Sleepers: Waits a number of times determined by the player for a category to repeat, then bets on all the bets in that category except the one that has repeated.
Uses martingale progression by default or you can program your own customized progressions. Method 3 — Super Singles: Proprietary flat betting for single numbers without progressions.
This method waits a predetermined number of times inputted by the player as data history. Method 4 — Proportion Probability: